About 'williams furnace'-How Are Houses Insulated?

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About 'williams furnace'-How Are Houses Insulated?

Ｓａｎ               Ｄｉｅｇｏ               Ｍａｓｔｅｒ               Ｃｈｏｒａｌｅ               ｗａｓ               ｅｓｔａｂｌｉｓｈｅｄ               ｉｎ               1961               ａｓ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｓｙｍｐｈｏｎｉｃ               Ｃｈｏｒａｌｅ,               ｔｈｅ               ｃｈｏｒａｌ               ａｒｍ               ｏｆ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｓｙｍｐｈｏｎｙ,               ｂｕｔ               ｂｒｏｋｅ               ｏｆｆ               ｉｎ               1979               ｔｏ               ｂｅｃｏｍｅ               ａｎ               ｉｎｄｅｐｅｎｄｅｎｔ               ａｒｔ               ｏｒｇａｎｉｚａｔｉｏｎ               ｓｕｐｐｏｒｔｅｄ               ｂｙ               ａ               ｇｒａｎｔ               ｆｒｏｍ               ｔｈｅ               Ｃｉｔｙ               ｏｆ               Ｓａｎ               Ｄｉｅｇｏ               Ｃｏｍｍｉｓｓｉｏｎ               ｆｏｒ               Ａｒｔｓ               ａｎｄ               Ｃｕｌｔｕｒｅ               ａｎｄ               ｂｙ               ｐｒｉｖａｔｅ               ｄｏｎａｔｉｏｎｓ. Ｔｈｅｙ               ｐｅｒｆｏｒｍ               ｉｎ               25               ｏｒ               ｍｏｒｅ               ｃｏｎｃｅｒｔｓ               ｅａｃｈ               ｙｅａｒ               ａｌｌ               ｏｖｅｒ               ｔｈｅ               ｃｉｔｙ               ａｎｄ               ｅｖｅｎ               ａｂｒｏａｄ,               ｗｉｔｈ               ａ               ｖａｓｔ               ｃｈｏｒａｌ               ｒｅｐｅｒｔｏｉｒｅ               ｒａｎｇｉｎｇ               ｆｒｏｍ               ｓｐｉｒｉｔｕａｌ               ｔｏ               ｃｌａｓｓｉｃａｌ               ｔｏ               ｏｐｅｒａｔｉｃ               ｎｕｍｂｅｒｓ. Ｉ               ｈｅａｒｄ               ｔｈｅｍ               ｐｅｒｆｏｒｍ               ｆｏｒ               ｔｈｅ               ｆｉｒｓｔ               ｔｉｍｅ               ｉｎ               Ａｐｒｉｌ               2008               ｗｈｅｎ               ｔｈｅｙ               ｐａｒｔｉｃｉｐａｔｅｄ               ｉｎ               ｔｈｅ               ｗｏｒｌｄ               ｐｒｅｍｉｅｒｅ               ｏｆ               Ｄａｎｉｅｌ               Ｋｅｌｌｏｇｇ'ｓ               Ｔｈｅ               Ｆｉｅｒｙ               Ｆｕｒｎａｃｅ               ｗｉｔｈ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｓｙｍｐｈｏｎｙ               Ｏｒｃｈｅｓｔｒａ               (ｔｈｅ               ｃｏｌｌａｂｏｒａｔｉｏｎ               ｗｏｎ               ｔｈｅｍ               ｔｈｅ               2009               Ｃｈｏｒｕｓ               Ａｍｅｒｉｃａ/ＡＳＣＡＰ               Ａｌｉｃｅ               Ｐａｒｋｅｒ               Ａｗａｒｄ),               ａｎｄ               ｈａｖｅ               ｓｉｎｃｅ               ｂｅｅｎ               ｓｏ               ｉｍｐｒｅｓｓｅｄ               ｗｉｔｈ               ｔｈｅｉｒ               ｃｏｎｓｉｓｔｅｎｔ               ｅｘｃｅｌｌｅｎｃｅ               ｔｈａｔ               Ｉ               ｓｔｏｐｐｅｄ               ｂｙ               ａｔ               ｔｈｅｉｒ               ｒｅｃｅｐｔｉｏｎ               ｔａｂｌｅ               ｄｕｒｉｎｇ               ａ               ｒｅｃｅｎｔ               ｃｏｎｃｅｒｔ               ｏｆ               Ｂｅｅｔｈｏｖｅｎ'ｓ               9ｔｈ               ｓｙｍｐｈｏｎｙ               ｎｏｔ               ｌｏｎｇ               ａｇｏ               ａｎｄ,               ｗｉｔｈ               ｔｈｅ               ｈｅｌｐ               ｏｆ               Ｄｒ. Ｃａｒｏｌ               Ｍａｎｉｆｏｌｄ,               ｔｈｅ               ＳＤＭＣ'ｓ               ｖｉｃｅ               ｐｒｅｓｉｄｅｎｔ,               ｇｏｔ               ｔｏ               ａｓｋ               ｔｈｅｉｒ               ｍｕｓｉｃ               ｄｉｒｅｃｔｏｒ,               Ｄｒ. Ｇａｒｙ               ＭｃＫｅｒｃｈｅｒ,               ａ               ｆｅｗ               ｑｕｅｓｔｉｏｎｓ:               Ｓｍｏｒｇ:               Ｉｓ               ｔｈｅ               ＳＤＭＣ               ｃｏｍｐｏｓｅｄ               ｏｆ               ｍｏｓｔｌｙ               ｌｏｃａｌ               ｓｉｎｇｅｒｓ? Ｄｏ               ｙｏｕ               ｇｅｔ               ｂｉｇ               ｔｕｒｎ               ｏｕｔｓ               ａｔ               ｙｏｕｒ               ａｕｄｉｔｉｏｎｓ?                Ｇａｒｙ               ＭｃＫｅｒｃｈｅｒ:               ＳＤＭＣ               ｄｒａｗｓ               ｉｔｓ               ｍｅｍｂｅｒｓｈｉｐ               ｆｒｏｍ               ｅｖｅｒｙ               ｄｉｒｅｃｔｉｏｎ               ｏｆ               Ｓａｎ               Ｄｉｅｇｏ               Ｃｏｕｎｔｙ. Ａｕｄｉｔｉｏｎ               ｔｕｒｎｏｕｔｓ               ｖａｒｙ               ｆｒｏｍ               ａ               ｈａｌｆ               ｄｏｚｅｎ               ｔｏ               ａｓ               ｍａｎｙ               ａｓ               20-25               ｓｉｎｇｅｒｓ. Ｔｈｅｒｅ               ｄｏｅｓｎ'ｔ               ｓｅｅｍ               ｔｏ               ｂｅ               ａ               ｐａｔｔｅｒｎ.                Ｓｍｏｒｇ:               Ｉｓ               ｓｉｎｇｉｎｇ               ａｔ               ｔｈｅ               ＳＤＭＣ               ａ               ｆｕｌｌ-ｔｉｍｅ               ｊｏｂ               ｏｒ               ｓｅｃｏｎｄａｒｙ               ｊｏｂ               ｆｏｒ               ｔｈｅ               ｓｉｎｇｅｒｓ?                ＧＭ:               Ｉｆ               ｂｙ               ｊｏｂ               ｙｏｕ               ｍｅａｎ,               ａ               ｒｅａｌ               ｊｏｂ               ｗｉｔｈ               ｒｅｍｕｎｅｒａｔｉｏｎ,               ｉｔ               ｉｓ               ｎｅｉｔｈｅｒ               ｆｕｌｌ               ｏｒ               ｓｅｃｏｎｄａｒｙ. Ａｌｌ               ｓｉｎｇｅｒｓ               ａｒｅ               ａｍａｔｅｕｒ/ｖｏｌｕｎｔｅｅｒ               ｐｅｒｆｏｒｍｅｒｓ,               ｇｅｎｅｒａｌｌｙ               ｗｉｔｈ               ａｎ               ｅｘｔｅｎｓｉｖｅ               ｓｉｎｇｉｎｇ               ｂａｃｋｇｒｏｕｎｄ. Ｔｈｅｙ               ａｒｅ               ｒｉｇｏｒｏｕｓｌｙ               ａｕｄｉｔｉｏｎｅｄ. Ｕｎｌｅｓｓ               ｒｅｔｉｒｅｄ               ｏｒ               ｈａｖｉｎｇ               ｓｏｍｅｏｎｅ               ｉｎ               ｔｈｅ               ｈｏｕｓｅｈｏｌｄ               ｂｒｉｎｇｉｎｇ               ｈｏｍｅ               ｔｈｅ               ｔｏｆｕ,               ｎｏ               ｓｉｎｇｅｒ               ｃｏｕｌｄ               ｌｉｖｅ               ｏｎ               ａ               ｕｎｉｏｎ               ｗａｇｅ               ｅｖｅｎ               ｉｆ               ｗｅ               ｗｅｒｅ               ｐａｉｄ. Ｔｈｅ               ｐａｙｏｆｆ               ｉｓ               ｓｏｌｅｌｙ               ｍｕｓｉｃａｌ               ａｎｄ               ｔｈｅ               ｊｏｙ               ｏｆ               ｔｈｅ               ｃｏｒｐｏｒａｔｅ               ｓｉｎｇｉｎｇ               ｅｘｐｅｒｉｅｎｃｅ.                Ｓｍｏｒｇ:               Ｈａｓ               ｔｈｅ               ｅｃｏｎｏｍｉｃ               ｄｏｗｎｔｕｒｎ               ｂｅｅｎ               ｒｏｕｇｈ               ｆｏｒ               ｔｈｅ               ＳＤＭＣ               ｉｎ               ｔｈｅ               ｐａｓｔ               ｙｅａｒ?                ＧＭ:               Ｉｔ               ｈａｓ               ｈａｄ               ｉｔｓ               ｎｅｇａｔｉｖｅ               ｉｍｐａｃｔ. Ｔｈｅ               ｌａｒｇｅｓｔ               ｈｉｔ               ｗａｓ               ｓｕｆｆｅｒｅｄ               ｉｎ               ｔｈｅ               ｍｅｎ'ｓ               ｓｅｃｔｉｏｎｓ               ｗｉｔｈ               ｍｅｍｂｅｒｓ               ｌｏｓｉｎｇ               ｊｏｂｓ               ａｎｄ               ｈａｖｉｎｇ               ｔｏ               ｌｅａｖｅ               ｔｈｅ               ａｒｅａ               ｐｅｒｍａｎｅｎｔｌｙ,               ｏｒ               ｊｏｂｓ               ｔｈａｔ               ｓｔａｙｅｄ               ｈｅｒｅ               ａｎｄ               ｗｅｒｅ               ｅｘｐａｎｄｅｄ               ｍａｋｉｎｇ               ｉｔ               ｉｍｐｏｓｓｉｂｌｅ               ｔｏ               ｍｅｅｔ               ｔｈｅ               ＳＤＭＣ               ｐｅｒｆｏｒｍａｎｃｅ               ｓｃｈｅｄｕｌｅ               ａｎｄ               ｍａｎｙ               ｖａｒｉａｔｉｏｎｓ               ｏｎ               ｔｈｉｓ               ｅｘｃｌｕｓｉｖｅ               ｔｈｅｍｅ. Ａ               ｆｅｗ               ｌｏｃａｌ               ｃｒｉｔｉｃｓ               ｓｅｅｍ               ｎｏｔ               ｔｏ               ｕｎｉｆｏｒｍｌｙ               ｕｎｄｅｒｓｔａｎｄ               ｔｈｅ               ｓｏｃｉａｌ               ｄｙｎａｍｉｃｓ               ｏｆ               ｔｈｉｓ               ｓｉｔｕａｔｉｏｎ               ｆｏｒ               ｏｕｒ               ｏｒｇａｎｉｚａｔｉｏｎ               ａｎｄ               ｏｔｈｅｒｓ               ｌｉｋｅ               ｉｔ. Ｉｆ               ａ               ｊｏｂ               ｏｒ               ｆａｍｉｌｙ               ｔａｋｅｓ               ｓｉｎｇｅｒｓ               ａｗａｙ,               Ｉ               ｄｏｎ'ｔ               ｈａｖｅ               ａ               ｐｏｏｌ               ｏｆ               ｐｒｏｆｅｓｓｉｏｎａｌｓ               ｔｏ               ｗｈｏｍ               Ｉ               ｃａｎ               ｉｍｍｅｄｉａｔｅｌｙ               ｔｕｒｎ.                Ｓｍｏｒｇ:               Ｉ               ｆｅｅｌ               Ｉ               ｇｅｔ               ｅｖｅｒｙ               ｃｅｎｔ'ｓ               ｗｏｒｔｈ               ｏｆ               ｔｈｅ               ｔｉｃｋｅｔ               ｐｒｉｃｅ               ｅｖｅｒｙ               ｔｉｍｅ               Ｉ               ａｔｔｅｎｄ               ｏｎｅ               ｏｆ               ｙｏｕｒ               ｐｅｒｆｏｒｍａｎｃｅｓ. Ｂｕｔ               ｉｔ               ｈａｓ               ｔｏ               ｂｅ               ａ               ｔｏｕｇｈ               ｊｏｂ               ｔｏ               ｋｅｅｐ               ｔｈｅ               ｅｎｔｉｒｅ               ｃｈｏｒｕｓ               ｐｅｒｆｏｒｍｉｎｇ               ｓｏ               ｗｅｌｌ               ｉｎ               ｓｏ               ｍａｎｙ               ｄｉｆｆｅｒｅｎｔ               ｒｅｐｅｒｔｏｉｒｅ. Ｈｏｗ               ｄｏ               ｙｏｕ               ｋｅｅｐ               ｅｖｅｒｙｂｏｄｙ               ｓｏ               ｍｕｓｉｃａｌｌｙ               ｏｎ-ｔｈｅ-ｓａｍｅ-ｐａｇｅ               ｉｎ               ａ               ｃｈｏｒｕｓ               ｔｈｉｓ               ｂｉｇ? Ｉｓ               ｔｈｅ               ｒｅｈｅａｒｓａｌ               ｔｉｍｅ               ｔａｋｉｎｇ               ｕｐ               ａｌｌ               ｔｈｅ               ｗｅｅｋｅｎｄｓ               ａｎｄ               ｈｏｌｉｄａｙｓ?                ＧＭ:               ＳＤＭＣ               ｒｅｈｅａｒｓｅｓ               ｏｎｅ               ｎｉｇｈｔ               ａ               ｗｅｅｋ               ｆｏｒ               2               1/2               ｈｏｕｒｓ               ａｎｄ               ｔｈａｔ'ｓ               ｔｈｅ               ｗｈｏｌｅ               ｃａｈｕｎａ. Ｉ               ｖｅｒｙ,               ｖｅｒｙ               ｓｅｌｄｏｍ               ｓｃｈｅｄｕｌｅ               ｗｅｅｋｅｎｄ               ｒｅｈｅａｒｓａｌｓ,               ａｎｄ               ｎｅｖｅｒ               ｈｏｌｉｄａｙｓ               ｕｎｌｅｓｓ               ｗｅ               ａｒｅ               ｃｏｎｔｒａｃｔｅｄ               ｂｙ               ｔｈｅ               ＳＤＳＯ               (ｉ.ｅ. 4ｔｈ               ｏｆ               Ｊｕｌｙ). Ｗｈｅｎ               ｔｈｅ               ｐｒｅｐａｒａｔｉｏｎｓ               ｔｅｎｄ               ｔｏ               ｇｅｔ               ｃｒｏｗｄｅｄ,               Ｉ               ｈａｖｅ               ａ               ｓｙｓｔｅｍ               ｏｆ               ｍｕｓｉｃａｌ               ｃｈｅｃｋｐｏｉｎｔｓ               ｗｈｉｃｈ               ｉｄｅｎｔｉｆｉｅｓ               ｆｏｒ               ｓｉｎｇｅｒｓ               ｔｈｅ               ｓｅｃｔｉｏｎｓ,               ｏｒ               ｍｏｖｅｍｅｎｔｓ,               ｏｒ               ｅｎｔｉｒｅ               ｐｉｅｃｅｓ               ｔｈａｔ               ｍｕｓｔ               ｂｅ               ｒｅａｄｙ               ｂｙ               ａ               ｄｅｓｉｇｎａｔｅｄ               ｄａｔｅ. Ｔｈｕｓ               ｆａｒ,               ｉｔ               ｈａｓ               ｗｏｒｋｅｄ               ｐｒｅｔｔｙ               ｗｅｌｌ,               ｂｕｔ               Ｉ               ａｌｗａｙｓ               ｆｅｅｌ               ａ               ｂｉｔ               ｌｉｋｅ               ａ               ｗｅｌｌ-ｋｎｏｗｎ               ｖａｒｉｅｔｙ               ｓｈｏｗ               ａｃｔ,               ｔｈｅ               ｏｎｅ               ｗｈｅｒｅ               ａ               ｇｕｙ               ｉｓ               ｓｐｉｎｎｉｎｇ               ｐｌａｔｅｓ               ａｔ               ｔｈｅ               ｔｏｐ               ｏｆ               ｓｔｉｃｋｓ. Ｗｈｅｎ               ｏｎｅ               ｉｓ               ｗｏｕｎｄ               ｕｐ               ａｎｏｔｈｅｒ               ｉｓ               ｗｉｎｄｉｎｇ               ｄｏｗｎ               ａｎｄ               ｎｅｅｄｓ               ａｔｔｅｎｔｉｏｎ.                Ｅａｃｈ               Ｍｏｎｄａｙ               ｐｏｓｔ-ｒｅｈｅａｒｓａｌ,               Ｉ               ｈａｖｅ               ｔｏ               ａｓｓｅｓｓ               ｗｈａｔ               ｔｈｅ               ｇｒｏｕｐ               ｈａｓ               ｏｒ               ｈａｓ               ｎｏｔ               ａｃｈｉｅｖｅｄ,               ｗｈｅｔｈｅｒ               ｏｒ               ｎｏｔ               Ｉ               ｃａｎ               ｌｅａｖｅ               ｔｈｉｎｇｓ               ｔｈａｔ               ｍｉｇｈｔ               ｂｅ               ｉｍｐｒｏｖｅｄ               ｓｉｍｐｌｙ               ｔｈｒｏｕｇｈ               ｒｅｐｅｔｉｔｉｏｎ               ｆｏｒ               ｔｈｅ               ｆｏｌｌｏｗｉｎｇ               ｒｅｈｅａｒｓａｌｓ,               ｂｕｔ               ａｌｓｏ               ｔｈａｔ               ｗｈｉｃｈ               ｗｉｌｌ               ｎｅｅｄ               ｍｕｃｈ               ｍｏｒｅ               ｔｉｍｅ               ｒｅｆｉｎｉｎｇ. Ｔｈｅ               ｅｘｐｅｃｔａｔｉｏｎ               ｉｓ               ｔｈａｔ               ｔｈｅ               ｂｌａｃｋ               ａｎｄ               ｗｈｉｔｅ               ｏｎ               ｔｈｅ               ｐａｇｅ               ｗｉｌｌ               ｎｏｔ               ｂｅ               ｔａｕｇｈｔ               ｉｎ               ｒｅｈｅａｒｓａｌ. Ｔｈａｔ'ｓ               ｓｉｎｇｅｒ               ｈｏｍｅｗｏｒｋ.                Ｓｍｏｒｇ:               Ｉ               ｗａｓ               ｖｅｒｙ               ｐｌｅａｓｅｄ               ｔｏ               ｓｅｅ               ｓｕｃｈ               ａ               ｇｏｏｄ               ａｕｄｉｅｎｃｅ               ｔｕｒｎ               ｏｕｔ               ｄｕｒｉｎｇ               ｔｈｅ               Ｂｅｅｔｈｏｖｅｎ               9ｔｈ               ｃｏｎｃｅｒｔｓ               ｉｎ               ｅａｒｌｙ               Ｄｅｃｅｍｂｅｒ               ｓｉｎｃｅ               ｃｌａｓｓｉｃａｌ               ｍｕｓｉｃ               (ｃｈｏｒａｌ               ａｎｄ               ｏｐｅｒａ               ｉｎｃｌｕｄｅｄ)               ｅｖｅｎｔｓ               ｈｅｒｅ               ｄｏｎ'ｔ               ｓｅｅｍ               ｖｅｒｙ               ｐｒｏｎｅ               ｔｏ               ｓｅｌｌｉｎｇ               ｏｕｔ. Ｔｈｅ               ＳＤＭＣ               ｈａｓ               ｐｅｒｆｏｒｍｅｄ               ａｂｒｏａｄ               ｉｎ               Ｅｕｒｏｐｅ               ｗｈｅｒｅ               ｃｌａｓｓｉｃａｌ               ｍｕｓｉｃ               ｉｓｎ'ｔ               ａｓ               ｆａｒ               ｒｅｍｏｖｅｄ               ｆｒｏｍ               ｔｈｅ               ｍａｉｎｓｔｒｅａｍ               ａｓ               ｉｔ               ｓｅｅｍｓ               ｈｅｒｅ. Ｄｏ               ｙｏｕ               ｎｏｔｉｃｅ               ｍａｎｙ               ｄｉｆｆｅｒｅｎｃｅｓ               ｉｎ               ｈｏｗ               ｐｅｒｆｏｒｍａｎｃｅｓ               ａｒｅ               ｏｒｇａｎｉｚｅｄ               ａｎｄ               ｈｏｗ               ｔｈｅ               ａｕｄｉｅｎｃｅ               ｒｅａｃｔｓ               ｉｎ               Ｅｕｒｏｐｅ               ｖｅｒｓｕｓ               ｈｅｒｅ               ｉｎ               Ａｍｅｒｉｃａ               (Ｉ'ｍ               ａｓｓｕｍｉｎｇ               ｔｈａｔ               ｔｈｅ               Ｅｕｒｏｐｅａｎ               ａｕｄｉｅｎｃｅ               ｗｏｕｌｄ               ｔｅｎｄ               ｔｏ               ｂｅ               ｍｏｒｅ               ｆａｍｉｌｉａｒ               ｗｉｔｈ               ｔｈｅ               ｍｕｓｉｃ               ｐｅｒｆｏｒｍｅｄ               ｔｈａｎ               ｔｈｅ               Ａｍｅｒｉｃａｎ               ａｕｄｉｅｎｃｅ               ｗｏｕｌｄ)?                ＧＭ:               Ｔｈｉｓ               ｉｓ               ａｎ               ｉｎｔｅｒｅｓｔｉｎｇ               ａｎｄ               ｐｅｒｐｌｅｘｉｎｇ               ｑｕｅｓｔｉｏｎ,               ｏｎｅ               ｗｈｉｃｈ               Ｉ               ａｎｄ               ｍａｎｙ               ｃｏｌｌｅａｇｕｅｓ               ｈａｖｅ               ｐｏｎｄｅｒｅｄ               ａｔ               ｌｅｎｇｔｈ               ｏｖｅｒ               ｔｈｅ               ｙｅａｒｓ. Ｔｈｅｒｅ               ｓｅｅｍｓ               ｔｏ               ｂｅ               ａ               ｈｕｎｇｅｒ               ｆｏｒ               ｌｉｖｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｏｖｅｒｓｅａｓ               ｏｎ               ａ               ｍｏｒｅ               ｃｏｎｓｉｓｔｅｎｔ               ｌｅｖｅｌ               ｔｈａｎ               ｈｅｒｅ. Ｌｅｔ'ｓ               ｆａｃｅ               ｉｔ,               Ｅｕｒｏｐｅａｎ               ｃｌａｓｓｉｃａｌ               ｍｕｓｉｃ               ｗａｓ               ｔｒａｎｓｐｏｒｔｅｄ               ｔｏ               ｔｈｅ               Ｓｔａｔｅｓ,               ａｎｄ               ｂｅｉｎｇ               ａｎ               ａｄｏｐｔｅｄ               ｓｏｍｅｗｈａｔ               ｅｌｉｔｉｓｔ               ａｒｔ               ｍｕｓｉｃ               ｉｎ               ｉｔｓ               ｅａｒｌｙ               ｌｉｆｅ,               ｉｔ               ｔｅｎｄｅｄ               ｎｏｔ               ｂｅ               ａ               ｍｕｓｉｃ               ｏｆ               ｔｈｅ               Ａｍｅｒｉｃａｎ               ｐｅｏｐｌｅ               ａｔ               ｌａｒｇｅ               ｎｏｒ               ｈａｖｅ               ｔｈｅｉｒ               ｗｉｄｅｓｐｒｅａｄ               ｉｎｔｅｒｅｓｔ.                Ｊａｚｚ               ａｎｄ               ｍｕｓｉｃａｌ               ｔｈｅａｔｒｅ               ｉｓ               ｗｈａｔ               Ａｍｅｒｉｃａ               ｈａｓ               ｕｎｉｑｕｅｌｙ               ｃｏｎｔｒｉｂｕｔｅｄ               ｔｏ               ｔｈｅ               ｍｕｓｉｃ               ｗｏｒｌｄ               ａｎｄ               ｔｈｅｓｅ               ｈａｖｅ               ｈａｄ               ａ               ｍａｊｏｒ               ｉｍｐａｃｔ. Ｔｈｅ               ｐｅｒｖａｓｉｖｅｎｅｓｓ               ｏｆ               ｐｏｐｕｌａｒ               ｃｕｌｔｕｒｅ               ｉｎ               ｔｈｉｓ               ｃｏｕｎｔｒｙ               ｉｓ               ｓｅｄｕｃｔｉｖｅ,               ｂｕｔ               Ｉ               ｓｅｎｓｅ               ｎｏ               ｍｏｒｅ               ｓｏ               ｔｈａｎ               ｉｎ               Ｅｕｒｏｐｅ. Ｗｈａｔ               ｉｓ               ｃｒｕｃｉａｌ               ｔｏ               ｃｒｅａｔｉｎｇ               ｎｅｗ               ａｕｄｉｅｎｃｅｓ               ｉｓ               ｔｈａｔ               ｗｈｉｃｈ               ｈａｐｐｅｎｓ               ｉｎ               ｆｏｒｍａｔｉｖｅ               ｙｅａｒｓ               ｉｎ               ｓｃｈｏｏｌ               ａｎｄ               ｈｏｍｅ               ｗｉｔｈ               ｐｒｏｂａｂｌｙ               ｈｏｍｅ               ｂｅｉｎｇ               ｐｒｉｍｅ.                Ｔｈｅｒｅ               ｉｓ               ｎｏ               ｌｏｇｉｃａｌ               ｒｅａｓｏｎ               ｗｈｙ               ｔｈｅ               Ｍｉｄｗｅｓｔ               ｈａｓ               ｐｒｏｄｕｃｅｄ               ｓｕｃｈ               ａ               ｆｅｒｔｉｌｅ               ｃｈｏｒａｌ               ｃｕｌｔｕｒｅ               ｏｔｈｅｒ               ｔｈａｎ               ｔｈｅｓｅ               ｔｗｏ               ｓｏｕｒｃｅｓ               ａｎｄ               ｔｈｅ               ｓｔｒｅｎｇｔｈ               ｏｆ               ｔｈｅ               ａｃａｄｅｍｉｃ,               ｃｏｍｍｕｎｉｔｙ,               ａｎｄ               ｒｅｌｉｇｉｏｕｓ               ｃｈｏｒａｌ               ｔｒａｄｉｔｉｏｎｓ. Ｗｈｅｎ               Ｉ               ｗａｓ               ｇｒｏｗｉｎｇ               ｕｐ               ｉｎ               ｒｕｒａｌ               ｎｏｒｔｈｅｒｎ               Ｉｏｗａ,               ｏｎｅ               ｗｏｕｌｄ               ｂｅ               ｈａｒｄ-ｐｒｅｓｓｅｄ               ｔｏ               ｈａｖｅ               ｆｏｕｎｄ               ａ               ｈｏｕｓｅｈｏｌｄ               ｅｉｔｈｅｒ               ｉｎ               ｔｏｗｎ               ｏｒ               ｃｏｕｎｔｒｙ               ｔｈａｔ               ｄｉｄ               ｎｏｔ               ｈａｖｅ               ａ               ｐｉａｎｏ. Ｅｖｅｒｙ               ｌｉｔｔｌｅ               Ｍｉｄｗｅｓｔ               ｔｏｗｎ               ｈａｄ               ａ               ｃｈｏｉｒ               ａｎｄ               ａ               ｂａｎｄ               ａｎｄ               ｍａｎｙ               ｓｔｉｌｌ               ｄｏ. Ｔｈｉｓ               ｃａｎ               ｃｒｅａｔｅ               ａ               ｃｕｌｔｕｒｅ               ｎｏｔ               ｏｎｌｙ               ｏｆ               ｐｅｒｆｏｒｍｅｒｓ,               ｂｕｔ               ｅｖｅｎｔｕａｌｌｙ,               ｌｉｓｔｅｎｅｒｓ.                Ｓｍｏｒｇ:               Ｌａｓｔ               ｙｅａｒ               ｔｈｅ               Ｚｕｒｉｃｈ               Ｏｐｅｒａ               ｓｔａｇｅｄ               ａ               ｐｅｒｆｏｒｍａｎｃｅ               ｏｆ               Ｖｅｒｄｉ'ｓ               Ｌａ               Ｔｒａｖｉａｔａ               ａｔ               ｔｈｅｉｒ               ｃｅｎｔｒａｌ               ｔｒａｉｎ               ｓｔａｔｉｏｎ               ａｎｄ               ｂｒｏａｄｃａｓｔ               ｉｔ               ｌｉｖｅ               ｏｎ               ＴＶ. Ｉｔ               ｗａｓ               ａ               ｍａｊｏｒ               ｈｉｔ               ｗｉｔｈ               ｔｈｅ               ｔｅｌｅｖｉｓｉｏｎ               ａｕｄｉｅｎｃｅ               ｉｎ               Ｓｗｉｔｚｅｒｌａｎｄ. Ｄｏ               ｙｏｕ               ｔｈｉｎｋ               ｔｈｅ               ｓａｍｅ               ｓｏｒｔ               ｏｆ               ｔｈｉｎｇ               ｃａｎ               ｂｅ               ａｔｔｅｍｐｔｅｄ               ｈｅｒｅ? Ｗｏｕｌｄ               ｉｔ               ｓｕｃｃｅｓｓｆｕｌｌｙ               ｄｒａｗ               ｅｎｏｕｇｈ               ａｔｔｅｎｔｉｏｎ               ａｎｄ               ｎｅｗ               ａｕｄｉｅｎｃｅ               ｔｏ               ｃｌａｓｓｉｃａｌ               ｍｕｓｉｃ               ａｎｄ               ｏｐｅｒａ               ｔｏ               ｏｆｆｓｅｔ               ｔｈｅ               ｃｏｓｔ?                ＧＭ:               Ｉ               ａｐｐｌａｕｄ               ａｎｙ               ｅｆｆｏｒｔｓ               ｔｏ               ｂｒｉｎｇ               ｎｅｗ               ａｕｄｉｅｎｃｅｓ               ｔｏ               ｔｈｅ               ｍｕｓｉｃ               ｔｈａｔ               ｗｅ               ｈａｖｅ               ｇｒｏｗｎ               ｔｏ               ａｐｐｒｅｃｉａｔｅ. Ｓｏｍｅ               ｏｆ               ｔｈｉｓ               ｍａｙ               ａｐｐｅａｒ               ｔｏ               ｂｅ               ｇｉｍｍｉｃｋ-ｌａｄｅｎ,               ｂｕｔ               ｓｏ               ｗｈａｔ? Ｌａｓｔ               ｓｕｍｍｅｒ               Ｉ               ａｔｔｅｎｄｅｄ               ａ               ｃｈｏｒａｌ               ｃｏｎｖｅｎｔｉｏｎ               ｉｎ               Ｐｈｉｌａｄｅｌｐｈｉａ               ｗｈｅｒｅ               ａ               ｎｅｗ               ｗｏｒｋ,               "Ｂａｔｔｌｅ               Ｈｙｍｎｓ"               ｗａｓ               ｐｒｅｍｉｅｒｅｄ               ｉｎ               ｔｈｅ               ｃｉｔｙ'ｓ               18ｔｈ               ｃｅｎｔｕｒｙ               ａｒｍｏｒｙ,               ｊｕｓｔ               ａ               ｖａｓｔ               ｏｐｅｎ               ｗａｒｅｈｏｕｓｅ               ａｒｅａ.                Ｔｈｅ               ｗｏｒｋ               ｏｐｅｎｅｄ               ｗｉｔｈ               ａ               ｈｏｒｓｅ               ａｎｄ               ｒｉｄｅｒ               ｓａｕｎｔｅｒｉｎｇ               ｉｎ               ｔｈｅｎ               ｏｕｔ,               ｆｏｌｌｏｗｅｄ               ｂｙ               ｔｈｅ               ａｐｐｅａｒａｎｃｅ               ｏｆ               ａ               ｃｈｏｉｒ               ｉｎ               ｍｉｌｉｔａｒｙ               ｃｏｓｔｕｍｅ               ｍａｒｃｈｉｎｇ               (ａｆｔｅｒ               ａ               ｆａｓｈｉｏｎ),               ｂｕｔ               ｏｆｔｅｎ               ｍｏｖｉｎｇ               ｄｕｒｉｎｇ               ｔｈｅ               ｐｉｅｃｅ. Ｔｈｅｒｅ               ｗｅｒｅ               ａｌｓｏ               ｄａｎｃｅｒｓ               ａｍｉｄｓｔ               ｔｈｅ               ｃｈｏｉｒ               ａｎｄ               ａ               ｐｅｒｃｕｓｓｉｏｎ               ｅｎｓｅｍｂｌｅ               ｓｔａｔｉｏｎｅｄ               ａｔ               ｏｐｐｏｓｉｔｅ               ｅｎｄｓ               ｏｆ               ｔｈｅ               ａｒｍｏｒｙ. Ｂｙ               ｔｈｅ               ｗａｙ,               ｔｈｅ               ｈｏｒｓｅ               ａｎｄ               ｒｉｄｅｒ               ｒｅｔｕｒｎｅｄ               ｔｏ               ｅｎｄ               ｔｈｅ               ｗｏｒｋ.                Ｅｎｇａｇｉｎｇ? Ａｒｒｅｓｔｉｎｇ? Ｖｅｒｙ... Ｇｒｏｕｎｄｂｒｅａｋｉｎｇ? Ｉ'ｄ               ｓａｙ               ｓｏ. Ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｎｏｔ               ｓｔａｇｅｄ               ｆｏｒ               ｔｈｅ               ｃｏｎｖｅｎｔｉｏｎ               ｐａｒｔｉｃｉｐａｎｔｓ               (ｍｏｓｔｌｙ               ｃｈｏｒａｌ               ｄｉｒｅｃｔｏｒｓ)               ｌａｔｅｒ               ｉｎ               ｔｈｅ               ｗｅｅｋ               ｗｅｒｅ               ｓｏｌｄ               ｏｕｔ. Ｓｏｍｅｔｈｉｎｇ               ｌｉｋｅ               ｗｈａｔ               ｙｏｕ               ｍｅｎｔｉｏｎ               ａｎｄ               Ｉ               ｄｅｓｃｒｉｂｅ               ｃｏｕｌｄ               ｔｏ               ｂｅ               ｓｔａｇｅｄ               ｈｅｒｅ               ｉｎ               Ｓａｎ               Ｄｉｅｇｏ,               ｂｕｔ               ｉｔ               ｔａｋｅｓ               ａｎ               ｏｒｇａｎｉｚａｔｉｏｎ               ｗｉｌｌｉｎｇ               ｔｏ               ｔａｋｅ               ａ               ｒｉｓｋ               ａｎｄ               ｓｏｍｅ               ｍａｊｏｒ               ｕｎｄｅｒｗｒｉｔｅｒｓ.                Ｓｍｏｒｇ:               Ｉｓ               ｔｈｅｒｅ               ａｎｙ               ｃｈａｎｃｅ               ｏｆ               ｔｈｅ               ＳＤＭＣ               ｄｏｉｎｇ               Ｂｅｅｔｈｏｖｅｎ'ｓ               Ｃｈｏｒａｌ               Ｆａｎｔａｓｙ               ｏｒ               Ｖｅｒｄｉ'ｓ               Ｒｅｑｕｉｅｍ               ｉｎ               ｔｈｅ               ｎｅａｒ               ｆｕｔｕｒｅ? :ｏＤ                               ＧＭ:               Ｗｅ               ｐｅｒｆｏｒｍｅｄ               ｔｈｅ               Ｃｈｏｒａｌ               Ｆａｎｔａｓｙ               Ｊａｎｕａｒｙ               '09. Ｖｅｒｄｉ               ｈａｓ               ｂｅｅｎ               ｄｏｎｅ               ｉｎ               ｐａｓｔ,               ｂｕｔ               ｎｏ               ｐｌａｎｓ               ｆｏｒ               ｉｔ               ｉｎ               ｎｅａｒ               ｆｕｔｕｒｅ,               ｂｕｔ               ｄｅｆｉｎｉｔｅｌｙ               ｂｅｉｎｇ               ｃｏｎｓｉｄｅｒｅｄ               ｂｙ               ＳＤＳＯ               ｉｎ               ｙｅａｒｓ               ｔｏ               ｃｏｍｅ.                Ｓｍｏｒｇ:               Ｗｈａｔ               ｉｓ               ｔｈｅ               ｂｅｓｔ               ｔｈｉｎｇ               ｔｈａｔ               ｃｏｕｌｄ               ｈａｐｐｅｎ               ｔｏ               ａ               ｃｈｏｒａｌ               ｐｅｒｆｏｒｍａｎｃｅ? Ｉｓ               ｔｈｅｒｅ               ａｎｙ               ｓｏｒｔ               ｏｆ               ｅｘｐｅｒｉｅｎｃｅ               ｔｈａｔ               ｍａｋｅｓ               ｏｎｅ               ｆｅｅｌ               ｒｅａｌｌｙ               ｇｏｏｄ               ａｂｏｕｔ               ｓｉｎｇｉｎｇ               ａｔ               ｔｈｅ               ＳＤＭＣ?                ＧＭ:               Ｔｈａｔ               ｉｔ               ｍｏｖｅｓ               ｂｏｔｈ               ａｕｄｉｅｎｃｅ               ａｎｄ               ｓｉｎｇｅｒｓ;               ｔｈａｔ               ｉｔ               ｅｘｐｌｏｒｅｓ               ｆａｍｉｌｉａｒ               ａｎｄ               ｕｎｆａｍｉｌｉａｒ               ｍｕｓｉｃａｌ               ｔｅｒｒａｉｎ;               ｔｈａｔ               ｉｔ               ｒｅｐｒｅｓｅｎｔｓ               ｔｈｅ               ｈｉｇｈｅｓｔ               ｐｏｓｓｉｂｌｅ               ｍｕｓｉｃａｌ               ａｔｔａｉｎｍｅｎｔ               ａｎｄ               ｐｏｔｅｎｔｉａｌ               ｏｆ               ｔｈｅ               ｓｉｎｇｅｒｓ. Ｔｈａｔ               ｉｓ               ｍａｋｅｓ               ｈｅａｒｔｓ               ｐｕｍｐ               ａｎｄ               ｔｅａｒ               ｄｕｃｔｓ               ａｃｔｉｖｅ. Ｉ               ｌｏａｔｈｅ               ｔｈｅ               ｃｏｍｍｏｎ               ｉｎｔｒｏｄｕｃｔｉｏｎ               ｔｏ               ａｕｄｉｅｎｃｅｓ               ｊｕｓｔ               ｂｅｆｏｒｅ               ａ               ｐｅｒｆｏｒｍａｎｃｅ:               "Ｓｉｔ               ｂａｃｋ,               ｒｅｌａｘ,               ａｎｄ               ｅｎｊｏｙ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ". Ｉ               ｆｅｅｌ               ａ               ｒｅａｌｌｙ               ｅｎｇａｇｉｎｇ               ｃｏｎｃｅｒｔ               ｓｈｏｕｌｄ               ｈａｖｅ               ｐｅｏｐｌｅ               ｏｎ               ｔｈｅ               ｅｄｇｅ               ｏｆ               ｔｈｅｉｒ               ｃｈａｉｒｓ,               ａ               ｌｉｔｔｌｅ               ｔｅｎｓｅ,               ａｎｄ               ｓｏｍｅｔｉｍｅｓ               ｎｏｔ               ｅｎｔｉｒｅｌｙ               ｅｎｔｅｒｔａｉｎｅｄ,               ｂｕｔ               ａｔ               ｖｅｒｙ               ｌｅａｓｔ               ａ               ｃｏｎｃｅｒｔ               ｅｘｐｅｒｉｅｎｃｅ               ｔｈａｔ               ａｓｋｓ               ｐｅｏｐｌｅ               ｔｏ               ｔｈｉｎｋ               ａｎｄ               ｆｅｅｌ               ｏｎ               ｓｅｖｅｒａｌ               ｌｅｖｅｌｓ.                Ｓｍｏｒｇ:               Ｉｓ               ｔｈｅｒｅ               ａｎｙ               ｓｏｒｔ               ｏｆ               ｐｒｏｊｅｃｔ/ｐｅｒｆｏｒｍａｎｃｅ               ｔｈａｔ               ｙｏｕ               ｗｏｕｌｄ               ｒｅａｌｌｙ               ｌｉｋｅ               ｔｏ               ｐｕｔ               ｏｎ               ｉｆ               ｙｏｕ               ｄｏｎ'ｔ               ｈａｖｅ               ｔｏ               ｗｏｒｒｙ               ａｂｏｕｔ               ｆｕｎｄｉｎｇ               ｏｒ               ａｔｔｒａｃｔｉｎｇ               ｇｏｏｄ               ａｕｄｉｅｎｃｅ               ｔｕｒｎ               ｏｕｔ?                ＧＭ:               Ａ               ｃｏｎｃｅｒｔ               ｏｆ               ｔｈｅ               ｍｏｓｔ               ｃｅｒｅｂｒａｌ               ｃｈｏｒａｌ               ｍｕｓｉｃ               ｃｕｒｒｅｎｔｌｙ               ａｖａｉｌａｂｌｅ. Ｍｉｎｄ               ｙｏｕ,               ｔｈｅｒｅ               ｉｓ               ｇｏｏｄ               ｓｔｕｆｆ               ａｎｄ               ｔｈｅｒｅ               ｉｓ               ａ               ｌｏｔ               ｔｈａｔ               ｉｓ               ｎｏｔ               ｓｏ               ｇｏｏｄ. Ｉ               ｔｈｒｏｗ               ｏｎｅ               ｏｒ               ｔｗｏ               ｐｉｅｃｅｓ               ｏｆ               ｔｈｉｓ               ｎａｔｕｒｅ               ｏｎ               ｏｕｒ               ｓｅｌｆ-ｐｒｏｄｕｃｅｄ               ｃｏｎｃｅｒｔｓ,               ｂｕｔ               ｗｉｓｈ               Ｉ               ｃｏｕｌｄ               ｄｏ               ｍｏｒｅ.                Ｉ               ａｍ               ｅｓｐｅｃｉａｌｌｙ               ａｔｔｒａｃｔｅｄ               ｔｏ               ｔｈｅ               ｍｕｓｉｃ               ｏｆ               ｔｈｅ               20ｔｈ               ｃｅｎｔｕｒｙ/ｎｅｗ               ｍｉｌｌｅｎｎｉｕｍ               Ｓｗｅｄｉｓｈ               ｃｈｏｒａｌ               ｓｃｈｏｏｌ,               ｂｕｔ               ａｌｓｏ               ｔｈｅ               ｒｅｌａｔｉｖｅｌｙ               ｕｎｋｎｏｗｎ               ｃｈｏｒａｌ               ｍｕｓｉｃ               ｏｆ               Ｍａｘ               Ｒｅｇｅｒ,               Ｂａｒｔｏｋ,               Ｈｉｎｄｅｍｉｔｈ,               Ｐｉｚｚｅｔｔｉ,               ａｎｄ               Ｒｉｃｈａｒｄ               Ｓｔｒａｕｓｓ. Ｔｈｅｒｅ               ａｒｅ               ｓｏｍｅ               ｎｅｘｔ               ｇｅｎｅｒａｔｉｏｎ               Ａｍｅｒｉｃａｎｓ               ｗｈｏ               ｂｅｌｏｎｇ               ｏｎ               ｔｈａｔ               ｌｉｓｔ               ｓｕｃｈ               ａｓ               Ｓｔｅｐｈｅｎ               Ｐａｕｌｕｓ,               Ｆｒａｎｋ               Ｆｅｒｋｏ,               Ｌｉｂｂｙ               Ｌａｒｓｅｎ,               Ｈｏｗａｒｄ               Ｈｅｌｖｅｙ,               Ｓｔｅｐｈｅｎ               Ｓａｍｅｔｚ               ａｎｄ               ｍａｎｙ               ｏｔｈｅｒｓ. Ｉｔ'ｓ               ａｌｍｏｓｔ               ｏｖｅｒｗｈｅｌｍｉｎｇ               ｔｈｅ               ｎｕｍｂｅｒ               ｏｆ               ｇｏｏｄ               ｙｏｕｎｇ               ｃｏｍｐｏｓｅｒｓ               ｃｕｒｒｅｎｔｌｙ               ｃｒｅａｔｉｎｇ               ｆｏｒ               ｏｕｒ               ａｒｔ               ｆｏｒｍ.                Ｓｍｏｒｇ:               Ａｓｉｄｅ               ｆｒｏｍ               ｊｏｉｎｉｎｇ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｓｙｍｐｈｏｎｙ               ｉｎ               ｆｏｒｍａｌ               ｃｏｎｃｅｒｔｓ               ａｎｄ               ｐｅｒｆｏｒｍｉｎｇ               ａｔ               ｐｒｉｖａｔｅ               ｅｖｅｎｔｓ,               ｙｏｕ               ａｌｓｏ               ｈａｖｅ               ｅｘｃｅｌｌｅｎｔ               ｏｕｔｒｅａｃｈ               ｐｒｏｇｒａｍｓ               ｔｈａｔ               ｖｉｓｉｔ               ｌｏｃａｌ               ｓｃｈｏｏｌｓ               ａｎｄ               ｒｅｔｉｒｅｍｅｎｔ               ｈｏｍｅｓ. Ｔｅｌｌ               ｕｓ               ａ               ｂｉｔ               ａｂｏｕｔ               ｉｔ?                ＧＭ:               Ｗｅ               ｈａｖｅ               ａ               ｄｅｄｉｃａｔｅｄ               ｃｏｒｐｓ               ｏｆ               ｓｉｎｇｅｒｓ               ｗｈｏ               ｈａｖｅ               ｄｅｖｅｌｏｐｅｄ               ａ               ｐｒｏｇｒａｍ               ｃａｌｌｅｄ               "Ａ               Ｈｉｓｔｏｒｙ               ｏｆ               Ｃｈｏｒａｌ               Ｍｕｓｉｃ"               ｗｈｉｃｈ               ｒｅｃｅｎｔｌｙ               ｈａｓ               ｔａｋｅｎ               ｏｆｆ               ｉｎ               ａ               ｍｕｃｈ               ｍｏｒｅ               ａｃｔｉｖｅ               ｗａｙ               ｉｎ               ｃｏｕｎｔｙ               ｅｌｅｍｅｎｔａｒｙ               ａｎｄ               ｍｉｄｄｌｅ               ｓｃｈｏｏｌｓ. Ｉｔ               ｉｎｃｏｒｐｏｒａｔｅｓ               ｂｏｔｈ               ｒｅｃｏｒｄｅｄ               ａｎｄ               ｌｉｖｅ               ｍｕｓｉｃ               ｔｏ               ａ               ｖｉｓｕａｌ               ｔｒａｃｋ               ａｔ               ａ               ｖｅｒｙ               ｂａｓｉｃ,               ｂｕｔ               ｅｎｇａｇｉｎｇ               ｗａｙ               ｉｎ               ｏｒｄｅｒ               ｔｏ               ｉｎｆｏｒｍ               ｙｏｕｎｇ               ｌｉｓｔｅｎｅｒｓ               ａｂｏｕｔ               ｔｈｅ               ａｒｔ               ｆｏｒｍ               ｉｎ               ｗｈｉｃｈ               ｗｅ               ａｒｅ               ｉｎｖｏｌｖｅｄ. Ｔｈｅ               ｒｅｔｉｒｅｍｅｎｔ               ｈｏｍｅ               ｏｕｔｒｅａｃｈ               ｉｓ               ｒｅａｌｌｙ               ａ               ｍｏｒｅ               "ｅａｒｓ-ｏｎ"               ｅｘｐｅｒｉｅｎｃｅ               ｗｈｅｒｅ               ｓｉｎｇｅｒｓ               ｇｅｔ               ｓｅｎｉｏｒｓ               ｓｉｎｇｉｎｇ               ａｎｄ               ｌｉｓｔｅｎｉｎｇ               ｔｏ               ｍｕｓｉｃ               ｔｈａｔ               ｉｓ               ｆａｍｉｌｉａｒ               ｔｏ               ｔｈｅｍ               ｆｒｏｍ               ｔｈｅｉｒ               ｐａｓｔｓ               ｔｈｒｏｕｇｈ               ｈｏｍｅ,               ｃｈｕｒｃｈ,               ｏｒ               ｓｃｈｏｏｌ.                ......................................................                Ｐｒｅｔｔｙ               ｃｏｏｌ,               ａｙ? Ｉ               ｄｉｄｎ'ｔ               ｅｖｅｎ               ｒｅａｌｉｚｅ               ｂｅｆｏｒｅ               ｔｈａｔ               ｔｈｅ               125               ｍｅｎ               ａｎｄ               ｗｏｍｅｎ               ｓｉｎｇｅｒｓ               ｏｆ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｍａｓｔｅｒ               Ｃｈｏｒａｌｅ               ｄｏｎ'ｔ               ｅｖｅｎ               ｇｅｔ               ｐａｉｄ               ｔｏ               ｐｅｒｆｏｒｍ. Ｔｈｅｙ               ａｒｅ               ａｍａｔｅｕｒｓ               ｉｎ               ｔｈｅ               ｔｒａｄｉｔｉｏｎ               ｏｆ               Ｂｏｂｂｙ               Ｊｏｎｅｓ,               ｉｆ               ｙｏｕ               ｗｉｌｌ,               ｄｏｉｎｇ               ｔｈｅｉｒ               ｔｈｉｎｇ               ｆｏｒ               ｔｈｅ               ｌｏｖｅ               ｏｆ               ｔｈｅ               ａｒｔ. Ａｎｄ               ｄｏｉｎｇ               ｉｔ               ｅｘｃｅｅｄｉｎｇｌｙ               ｗｅｌｌ! Ｉｆ               ｙｏｕ               ｅｖｅｒ               ｆｉｎｄ               ｙｏｕｒｓｅｌｆ               ｉｎ               Ｓａｎ               Ｄｉｅｇｏ               ａｎｄ               ｗｉｔｈ               ｓｏｍｅ               ｆｒｅｅ               ｔｉｍｅ               ｏｎ               ｙｏｕｒ               ｈａｎｄ,               ｗｈｙ               ｎｏｔ               ｃｈｅｃｋ               ｔｏ               ｓｅｅ               ｉｆ               ｔｈｅｒｅ               ｉｓ               ａ               ＳＤＭＣ               ｐｅｒｆｏｒｍａｎｃｅ               ｇｏｉｎｇ               ｏｎ               ｎｅａｒ               ｙｏｕ? Ｙｏｕ               ｃａｎ               ｅｖｅｎ               ｈｉｒｅ               ｔｈｅｍ               ｆｏｒ               ｐｒｉｖａｔｅ               ｐｅｒｆｏｒｍａｎｃｅｓ               (ｌｉｋｅ               ａ               ｗｅｄｄｉｎｇ               ｏｒ               ｏｔｈｅｒ               ｃｅｒｅｍｏｎｉｅｓ). Ｖｉｓｉｔ               ｔｈｅｉｒ               ｗｅｂｓｉｔｅ               ａｔ               ｗｗｗ.ｓｄｍａｓｔｅｒｃｈｏｒａｌｅ.ｏｒｇ               ｆｏｒ               ｍｏｒｅ               ｉｎｆｏｒｍａｔｉｏｎ.                Ｕｐｃｏｍｉｎｇ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｂｙ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｍａｓｔｅｒ               Ｃｈｏｒａｌｅ               (2010):                               Ｊａｎｕａｒｙ               8,               9               (8ＰＭ)                Ｊａｎｕａｒｙ               10               (2ＰＭ)               -               Ｖａｕｇｈ               Ｗｉｌｌｉａｍｓ:               Ｆｌｏｓ               Ｃａｍｐｉ               ｗｉｔｈ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｓｙｍｐｈｏｎｙ                               Ｃｏｐｌｅｙ               Ｓｙｍｐｈｏｎｙ               Ｈａｌｌ               (Ｄｏｗｎｔｏｗｎ):               1245               7ｔｈ               Ａｖｅｎｕｅ,               Ｓａｎ               Ｄｉｅｇｏ,               ＣＡ               92101                               Ｆｅｂｒｕａｒｙ               14(4ＰＭ)               -               Ｓａｃｒｅｄ               &               Ｐｒｏｆａｎｅ:               Ｆｉｖｅ               Ｃｅｎｔｕｒｉｅｓ               ｏｆ               Ｍｕｓｉｃ               ｏｆ               Ｌｏｖｅ               ａｎｄ               Ｌａｕｇｈｔｅｒ                               Ｒａｎｃｈｏ               Ｂｅｒｎａｒｄｏ               Ｐｒｅｓｂｙｔｅｒｉａｎ               Ｃｈｕｒｃｈ:               17010               Ｐｏｍｅｒａｄｏ               Ｒｄ,               Ｓａｎ               Ｄｉｅｇｏ,               ＣＡ               92128                               Ｍａｒｃｈ               20(8ＰＭ)               -               Ｃａｔｈｅｄｒａｌ               Ｃｌａｓｓｉｃｓ:               Ｍｕｓｉｃ               ｆｏｒ               Ｃｈｏｉｒｓ               ｆｒｏｍ               Ｓａｃｒｅｄ               Ｓｐａｃｅｓ                               Ｓｔ. Ｐａｕｌ'ｓ               Ｃａｔｈｅｄｒａｌ               (Ｂａｎｋｅｒ'ｓ               Ｈｉｌｌ):               2728               6ｔｈ               Ａｖｅｎｕｅ,               Ｓａｎ               Ｄｉｅｇｏ,               ＣＡ               92103                               Ｊｕｎｅ               19(8ＰＭ)               -               Ａｍｉｇｏｓ               ｉｎ               Ｃｏｎｃｅｒｔ:               Ｍｕｓｉｃ               ｆｒｏｍ               Ｌａｔｉｎ               Ａｍｅｒｉｃａ                               Ｃｏｐｌｅｙ               Ｓｙｍｐｈｏｎｙ               Ｈａｌｌ               (Ｄｏｗｎｔｏｗｎ):               1245               7ｔｈ               Ａｖｅｎｕｅ,               Ｓａｎ               Ｄｉｅｇｏ,               ＣＡ               92101

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Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｉｓ               ａｎ               ｅｌｅｃｔｒｉｃ               ｐｒｅｓｓｕｒｅ               ｗａｓｈｅｒ. Ｉｔｓ               ｉｎｄｕｃｔｉｏｎ               ｍｏｔｏｒ               ｓｈｏｕｌｄ               ｐｒｏｖｉｄｅ               ｍｏｒｅ               ｔｈａｎ               ｅｎｏｕｇｈ               ｐｏｗｅｒ               ｔｏ               ｗａｓｈ               ｃａｒｓ,               ｄｅｃｋｓ,               ｏｒ               ｓｉｄｅｗａｌｋｓ. Ｙｏｕ               ｃａｎ               ｆｉｎｄ               ｔｈｉｓ               ｍｏｄｅｌ               ｆｏｒ               ａｎ               ａｖｅｒａｇｅ               ｐｒｉｃｅ               ｏｆ               $280. Ｋｅｅｐ               ｒｅａｄｉｎｇ               ｔｏ               ｌｅａｒｎ               ａｂｏｕｔ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｆｅａｔｕｒｅｓ               ｔｈａｔ               ｉｔ               ｏｆｆｅｒｓ. Ｍｏｔｏｒ                Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｅｌｅｃｔｒｉｃ               ｐｒｅｓｓｕｒｅ               ｗａｓｈｅｒ               ｉｓ               ｅｑｕｉｐｐｅｄ               ｗｉｔｈ               ａ               ｍａｉｎｔｅｎａｎｃｅ-ｆｒｅｅ               ｉｎｄｕｃｔｉｏｎ               ｍｏｔｏｒ. Ｔｈｅ               ｕｎｉｔ               ｃａｎ               ｇｅｎｅｒａｔｅ               ａ               ｍａｘｉｍｕｍ               ｗａｔｅｒ               ｐｒｅｓｓｕｒｅ               ｏｆ               1850               ＰＳＩ. Ａｌｓｏ,               ｉｔ               ｃａｎ               ｍｏｖｅ               ｗａｔｅｒ               ａｔ               ａ               ｒａｔｅ               ｏｆ               1.5               ＧＰＭ.                Ｗａｎｄｓ                Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｉｓ               ｐａｃｋａｇｅｄ               ｗｉｔｈ               ｔｗｏ               ｓｐｒａｙ               ｗａｎｄｓ. Ｔｈｅ               Ｖａｒｉｏ               Ｐｏｗｅｒ               Ｓｐｒａｙ               ｗａｎｄ               ｉｓ               ｕｓｅｄ               ｆｏｒ               ｍｏｓｔ               ｃｌｅａｎｉｎｇ               ｔａｓｋｓ. Ｙｏｕ               ｃａｎ               ａｄｊｕｓｔ               ｔｈｅ               ｗａｔｅｒ               ｐｒｅｓｓｕｒｅ               ｏｎ               ｔｈｅ               ｗａｎｄ               ｉｔｓｅｌｆ. Ｔｈｅ               ＤｉｒｔＢｌａｓｔｅｒ               ｓｐｒａｙ               ｗａｎｄ               ｐｒｏｖｉｄｅｓ               ｍｕｃｈ               ｍｏｒｅ               ｐｏｗｅｒ,               ｓｏ               ｉｔ'ｓ               ｕｓｅｄ               ｆｏｒ               ｍｏｒｅ               ｄｉｆｆｉｃｕｌｔ               ｔａｓｋｓ                Ｄｅｔｅｒｇｅｎｔ                Ｔｈｅｒｅ               ａｒｅ               ａｌｓｏ               ｔｗｏ               ｂｕｉｌｔ-ｉｎ               ｄｅｔｅｒｇｅｎｔ               ｔａｎｋｓ               ｏｎ               ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｅｌｅｃｔｒｉｃ               ｐｒｅｓｓｕｒｅ               ｗａｓｈｅｒ. Ｙｏｕ               ｃａｎ               ｕｓｅ               ｔｈｅｓｅ               ｔａｎｋｓ               ｔｏ               ｍｉｘ               ｄｅｔｅｒｇｅｎｔ               ａｕｔｏｍａｔｉｃａｌｌｙ               ｗｉｔｈ               ｔｈｅ               ｗａｔｅｒ. Ｔｈｅ               ｕｎｉｔ               ｗｉｌｌ               ａｕｔｏｍａｔｉｃａｌｌｙ               ｄｒａｗ               ｄｅｔｅｒｇｅｎｔ               ｆｒｏｍ               ｔｈｅ               ｔａｎｋｓ               ｗｈｅｎｅｖｅｒ               ｙｏｕ               ｕｓｅ               ｔｈｅ               ｌｏｗ               ｐｒｅｓｓｕｒｅ               ｓｅｔｔｉｎｇ               ｏｎ               ｔｈｅ               Ｖａｒｉｏ               Ｐｏｗｅｒ               Ｓｐｒａｙ               ｗａｎｄ.                Ｈｏｓｅ                Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｉｓ               ｃｏｕｐｌｅｄ               ｗｉｔｈ               ａ               25               ｆｏｏｔ               ｈｏｓｅ,               ｓｏ               ｍａｎｅｕｖｅｒａｂｉｌｉｔｙ               ｓｈｏｕｌｄｎ'ｔ               ｂｅ               ｍｕｃｈ               ｏｆ               ａｎ               ｉｓｓｕｅ. Ｔｈｅ               ｈｏｓｅ,               ｗｈｉｃｈ               ｈａｓ               ａ               ｄｉａｍｅｔｅｒ               ｏｆ               1/4-ｉｎｃｈ,               ｉｓ               ｍａｄｅ               ｆｒｏｍ               ＰＶＣ. Ｔｈｅ               ｐｒｅｓｓｕｒｅ               ｗａｓｈｅｒ               ｉｓ               ｆｉｔｔｅｄ               ｗｉｔｈ               ａ               ｈｏｏｋ               ｔｏ               ｍａｋｅ               ｉｔ               ｅａｓｙ               ｆｏｒ               ｙｏｕ               ｔｏ               ｓｔｏｒｅ               ｔｈｅ               ｈｏｓｅ.                Ｄｅｓｉｇｎ                Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｐｒｅｓｓｕｒｅ               ｗａｓｈｅｒ               ｍｅａｓｕｒｅｓ               11.6               ｉｎｃｈｅｓ               ｌｏｎｇ,               10.3               ｉｎｃｈｅｓ               ｗｉｄｅ,               ａｎｄ               32.1               ｉｎｃｈｅｓ               ｔａｌｌ. Ｉｔｓ               ＧＦＣＩ               ｐｏｗｅｒ               ｃｏｒｄ               ｍｅａｓｕｒｅｓ               35               ｆｅｅｔ               ｌｏｎｇ.                Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｗｅｉｇｈｓ               ａｐｐｒｏｘｉｍａｔｅｌｙ               37               ｐｏｕｎｄｓ,               ｓｏ               ｙｏｕ               ｓｈｏｕｌｄ               ｂｅ               ａｂｌｅ               ｔｏ               ｃａｒｒｙ               ｉｔ               ａｒｏｕｎｄ               ｓｈｏｕｌｄ               ｙｏｕ               ｈａｖｅ               ｔｏ. Ｈｏｗｅｖｅｒ,               ｔｈｅ               ｕｎｉｔ               ｉｓ               ｄｅｓｉｇｎｅｄ               ｗｉｔｈ               ａ               ｃａｒｔ               ｆｉｔｔｅｄ               ｗｉｔｈ               ｔｗｏ               ｐｌａｓｔｉｃ               ｗｈｅｅｌｓ.                Ｔｈｅ               Ｋａｒｃｈｅｒ               5.93               Ｍ               ｅｌｅｃｔｒｉｃ               ｐｒｅｓｓｕｒｅ               ｗａｓｈｅｒ               ｃａｎ               ｐｒｏｄｕｃｅ               ａ               ｍａｘｉｍｕｍ               ｗａｔｅｒ               ｐｒｅｓｓｕｒｅ               ｏｆ               1850               ＰＳＩ. Ｉｔ               ｉｓ               ａｌｓｏ               ｅｑｕｉｐｐｅｄ               ｗｉｔｈ               ｔｗｏ               ｉｎｔｅｇｒａｔｅｄ               ｄｅｔｅｒｇｅｎｔｓ               ｔａｎｋｓ. Ｔｈｅ               ｕｎｉｔ               ｗｉｌｌ               ａｕｔｏｍａｔｉｃａｌｌｙ               ｓｔａｒｔ               ｕｓｉｎｇ               ｄｅｔｅｒｇｅｎｔ               ｗｈｅｎ               ｙｏｕ               ｕｓｅ               ｔｈｅ               ｌｏｗｅｓｔ               ｓｅｔｔｉｎｇ               ｏｎ               ｔｈｅ               Ｖａｒｉｏ               Ｐｏｗｅｒ               Ｓｐｒａｙ               ｗａｎｄ. Ａｌｓｏ,               ｔｈｅ               25-ｆｏｏｔ               ＰＶＣ               ｈｏｓｅ,               ｗｈｉｃｈ               ｉｓ               ｍａｄｅ               ｆｒｏｍ               ＰＶＣ,               ｃａｎ               ｂｅ               ｗｒａｐｐｅｄ               ａｒｏｕｎｄ               ａ               ｈｏｏｋ               ｆｏｒ               ｍｏｒｅ               ｃｏｎｖｅｎｉｅｎｔ               ｓｔｏｒａｇｅ.

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About 'window motors'-How to replace ford power window motor?

Ｌｅｘｕｓ               ＩＳ               ｈａｓ               ａｌｗａｙｓ               ｂｅｅｎ               ｒｅｇａｒｄｅｄ               ｔｏ               ｂｅ               ｔｈｅ               ｍａｉｎ               ｃｏｍｐｅｔｉｔｏｒ               ｏｆ               ＢＭＷ               ｏｆ               3               ｓｅｒｉｅｓ               ｈｏｗｅｖｅｒ               ｂｙ               ｎｏｗ               ｉｔ               ｉｓ               ａ               ｗｅｌｌ               ｋｎｏｗｎ               ｔｒａｄｅ               ｍａｒｋ. Ｔｈｅ               ｃｏｍｐｅｔｉｔｉｏｎ               ｉｓ               ｒｏｕｇｈ               ｈｏｗｅｖｅｒ               ｂｙ               ｎｏｗ               Ｌｅｘｕｓ               ｉｓ               ｔｈｅ               ｌｅａｄｅｒ               ａｎｄ               ｎｅｗ               Ｌｅｘｕｓ               ＩＳ               300               ｉｓ               ｏｎｅ               ｍｏｒｅ               ｒｅａｓｏｎ               ｆｏｒ               ｉｔ               ｔｏ               ｂｅ               ｃａｌｌｅｄ               ｓｏ. Ｆｉｒｓｔ               ｔｉｍｅ               ｔｈｅ               ｃａｒ               ｗａｓ               ｓｈｏｗｎ               ｉｎ               ａｕｔｕｍｎ               1998               ａｎｄ               ｎｅｘｔ               ｉｎ               ｓｐｒｉｎｇ               ｏｆ               1999               ｔｈｅ               ｆｉｓｔ               ｃｏｍｐａｃｔ               ｍｏｄｅｌ               ｏｆ               Ｌｅｘｕｓ               ａｐｐｅａｒｅｄ               ｉｎ               Ｅｕｒｏｐｅａｎ               ａｎｄ               Ａｍｅｒｉｃａｎ               ｍａｒｋｅｔｓ. Ｉｔ               ｗａｓ               ｃａｌｌｅｄ               ＩＳ               200. Ｔｈｅ               ｍｏｄｉｆｉｃａｔｉｏｎ               ｐｒｅｓｅｎｔｅｄ               ｏｎ               ｍｏｔｏｒ-ｃａｒ               ｅｘｈｉｂｉｔｉｏｎ               ｉｎ               2000               ｉｎ               Ｄｅｔｒｏｉｔ               ｗａｓ               ｃａｌｌｅｄ               Ｌｅｘｕｓ               ＩＳ               300. Ｉｔ               ｗａｓ               ｅｑｕｉｐｐｅｄ               ｗｉｔｈ               3-ｌｉｔｅｒ               ｅｎｇｉｎｅ               ｂｙ               ｐｏｗｅｒ               ｏｆ               215               ｒｐｍ.                Ｄｅｓｉｇｎ                Ｃｒｅａｔｅｄ               ａｓ               ａ               ｃｏｍｐｅｔｉｔｏｒ               ＢＭＷ               3               ｓｅｒｉｅｓ,               Ｌｅｘｕｓ               ＩＳ               ｇｏｔ               ｄｙｎａｍｉｃ               ａｓｓｅｒｔｉｖｅ               ｓｔｙｌｉｎｇ:               ｈｅａｄｌｉｇｈｔｓ               ｗｅｒｅ               ｍｏｗｅｄ               ａｎｄ               ｐｒｅｓｓｅｄ               ｉｎ               ａ               ｈｏｏｄ. Ｓｈｏｒｔ               ｆｒｏｎｔ               ａｎｄ               ｂａｃｋ               ｓｉｄｅｓ,               ｐｏｗｅｒｆｕｌ               ｂａｃｋ               ｂａｒｓ               ａｎｄ               ｌａｒｇｅ               ｈｏｌｅ               ｉｎ               ａ               ｆｒｏｎｔ               ｂｕｍｐｅｒ               ａｎｄ               ｆｉｖｅ               ｓｐｏｋｅ               ｗｈｅｅｌｅｄ               ｄｉｓｋｓ               ｃｒｅａｔｅ               ｔｈｅ               ｓｈｏｗｙ               ｅｘｔｅｒｎａｌ               ｌｏｏｋ               ｏｆ               ｃａｒ. Ｆｒｏｍ               ｔｈｅ               ｖｅｒｙ               ｆｉｒｓｔ               ｌｏｏｋ               ａｔ               ｉｔ               ｙｏｕ               ｈａｖｅ               ｔｈｅ               ｆｅｅｌｉｎｇ               ｔｈａｔ               ｔｈｅ               ｃａｒ               ｉｓ               ｗｏｒｔｈ               ｏｆ               ｙｏｕｒ               ａｔｔｅｎｔｉｏｎ               ａｎｄ               ｂｅｉｎｇ               ｄｅｓｉｒｅｄ.                Ｔｈｅ               ｒｉｃｈ               ｆｕｒｎｉｓｈｉｎｇ               ｏｆ               ｓａｌｏｎ               ｉｓ               ｃｏｍｐｌｅｍｅｎｔｅｄ               ｂｙ               ｓｐｏｒｔ               ｄｅｔａｉｌｓ:               ｉｎｄｅｐｅｎｄｅｎｔ               ｓｕｓｐｅｎｓｉｏｎ               ｂｒａｃｋｅｔ               ｏｎ               ｔｒａｎｓｖｅｒｓａｌ               ｒｏｃｋｉｎｇ               ｌｅｖｅｒｓ,               ｓｈｏｒｔｅｎｅｄ               ｓｈｏｃｋ               ａｂｓｏｒｂｅｒｓ               ａｎｄ               ｓｐｉｒａｌ               ｓｐｒｉｎｇｓ.                Ｍａｎｙ               ｆｉｒｍｓ               ｔｒｙ               ｔｏ               ｂｅ               ｉｎｃｕｌｃａｔｅｄ               ｉｎｔｏ               ｓｔｒａｎｇｅｒ'ｓ               ｍａｒｋｅｔ               ｎｉｃｈｅｓ               ａｎｄ               ｂｅｇｉｎ               ｔｏ               ｌｏｓｅ               ｐｏｓｉｔｉｏｎｓ               ｉｎ               ｉｔ               ｒｅｍａｉｎ               ｕｎｎｏｔｉｃｅｄ. Ａｓ               ｔｈｅ               ｒｅｓｕｌｔ               ｏｆ               ｔｈｉｓ               ｂａｔｔｌｅ               ＢＭＷ               ｍｏｄｅｌｓ               ｂｅｃａｍｅ               ｍｏｒｅ               ｃｏｍｆｏｒｔａｂｌｅ,               ｃｏｎｖｅｎｉｅｎｔ               ｂｕｔ               ｉｔ               ｉｓ               ｌｅｓｓ               ｓｐｏｒｔｉｖｅ. Ｈａｖｉｎｇ               ｎｏｔｉｃｅｄ               ｔｈｉｓ               ｄｅｍｅｒｉｔ               Ｌｅｘｕｓ               ｄｅｃｉｄｅｄ               ｔｏ               ｗｏｒｋ               ａｔ               ｔｈｅ               ｎｉｃｈｅ               ｏｆ               ＢＭＷ,               ｔｈｅ               ｓｅｃｔｏｒ               ｏｆ               ｃｏｍｆｏｒｔａｂｌｅ               ｂｕｓｉｎｅｓｓ               ｃｌａｓｓ               ｃａｒｓ.                Ｔｈｅ               Ｓｐｏｒｔ-Ｃｒｏｓｓ               ｉｓ               ａ               ｓｅｒｉｏｕｓ               ｃｏｍｐｅｔｉｔｏｒ. Ｙｏｕ               ｃａｎ               ｓｅｅ               ｉｔ               ｆｒｏｍ               ｉｔｓ               ａｇｇｒｅｓｓｉｖｅ               ｌｏｏｋ               ａｎｄ               ｐｏｗｅｒ. Ｔｈｅ               ｌｏｗ               ｌｉｎｅ               ｏｆ               ｂａｓｋｅｔ,               ｔｈｅ               ｗｉｌｄ               "ｅｙｅｓ"               ｏｆ               ｈｅａｄ               ｌｉｇｈｔｓ,               ｔｈｅ               ｒｏｕｇｈ               ｓｔａｍｐｉｎｇ               ｏｎ               ｔｈｅ               ｌａｔｅｒａｌ               ｐａｒｔ,               ｔｈｅ               ｓｅｒｉｏｕｓ               ｗｈｅｅｌｓ               ａｎｄ               ｓｐｅｃｉａｌ               ｃｏｎｓｔｒｕｃｔｉｏｎ               ｏｆ               ｂａｃｋ               ｗｉｎｄｏｗ               ｄｉｆｆｅｒ               ｉｔ               ｆｒｏｍ               ｔｈｅ               ｒｅｓｔ               ｏｆ               ＳＵＶｓ.                Ｔｈｅ               ｓａｌｏｎ               ｉｓ               ｆｕｒｎｉｓｈｅｄ               ｗｉｔｈ               ｂｅｉｇｅ               ｌｅａｔｈｅｒ               ｗｈｉｃｈ               ｍａｋｅｓ               ｙｏｕ               ｆｅｅｌ               ｃｏｍｐｌｅｔｅ               ｈａｒｍｏｎｙ. Ｉｔ               ｉｓ               ｎｏｔ               ｐｒａｃｔｉｃａｌ               ｂｅｃａｕｓｅ               ｏｆ               ｔｈｅ               ｃｏｌｏｒ               ｂｕｔ               ｎｏｂｏｄｙ               ｍａｋｅｓ               ｙｏｕ               ｄｉｒｔ               ｉｔ. Ｉｔ               ｉｓ               ｔｒｕｌｙ               ａ               ｌｕｘｕｒｉｏｕｓ               ｔｈｉｎｇ               ａｎｄ               ｙｏｕ               ｗｉｌｌ               ｎｅｖｅｒ               ｓｐｏｉｌ               ｉｔ               ｉｎｔｅｎｔｉｏｎａｌｌｙ.                Ｔｈｅ               ｓｅａｔｓ               ａｒｅ               ｑｕｉｔｅ               ｒｏｕｇｈ               ｗｈｉｃｈ               ｉｓ               ｕｓｕａｌ               ｆｏｒ               Ｇｅｒｍａｎ               ｃａｒｓ,               ｈｏｗｅｖｅｒ               ｂｅｃａｕｓｅ               ｏｆ               ｌａｔｅｒａｌ               ｓｕｐｐｏｒｔ               ａｎｄ               ｗｅｌｌ-ｄｏｎｅ               ｂａｃｋ               ｙｏｕ               ｗｉｌｌ               ｎｏｔ               ｆｅｅｌ               ｔｉｒｅｄ               ｏｆ               ｄｒｉｖｉｎｇ               ｂｙ               ｔｈｅ               ｅｎｄ               ｏｆ               ｄａｙ. Ｔｈｅ               ｈｅｌｍ               ｉｓ               ｅａｓｙ               ｔｏ               ｏｐｅｒａｔｅ. Ｉｔ               ｄｏｅｓ               ｎｏｔ               ｐｒｅｖｅｎｔ               ｙｏｕ               ｆｒｏｍ               ｖｉｅｗｉｎｇ               ｔｈｅ               ｄｉｓｐｌａｙｓ. Ｙｏｕ               ｃａｎ               ｕｓｅ               ｍａｎｕａｌ               ｈａｎｄｌｉｎｇ               ｏｆ               ｇｅａｒ               ｂｏｘ. Ｔｈｅ               ｐｒｉｎｃｉｐｌｅ               ｏｆ               ｕｓａｇｅ               ｉｓ               ｅａｓｙ               ｔｏ               ｕｎｄｅｒｓｔａｎｄ               ａｎｄ               ｙｏｕ               ｗｉｌｌ               ｅａｓｉｌｙ               ｇｅｔ               ｕｓｅｄ               ｔｏ               ｉｔ.                Ｅｎｇｉｎｅ                Ｄｕｅ               ｔｏ               ｐｒｅｌｉｍｉｎａｒｙ               ｉｎｆｏｒｍａｔｉｏｎ,               ｉｎ               ｆｕｔｕｒｅ               Ｌｅｘｕｓ               ＩＳ               350               ｗｉｌｌ               ｂｅ               ａｃｃｅｌｅｒａｔｅｄ               ｆｒｏｍ               ａ               ｚｅｒｏ               ｔｏ               ｏｎｅ               ｈｕｎｄｒｅｄ               ｋｉｌｏｍｅｔｅｒｓ               ｐｅｒ               ａｎ               ｈｏｕｒ               ａｐｐｒｏｘｉｍａｔｅｌｙ               ｉｎ               ｓｉｘ               ｓｅｃｏｎｄｓ,               ａｎｄ               ｔｈｅ               ｍａｘｉｍａｌ               ｓｐｅｅｄ               ｗｉｌｌ               ｂｅ               250               ｋｉｌｏｍｅｔｅｒｓ               ｐｅｒ               ｈｏｕｒ. Ｔｈｅ               ｎｏｖｅｌｔｙ               ｗｉｌｌ               ｂｅ               ｅｑｕｉｐｐｅｄ               ｗｉｔｈ               ｎｅｗ               ｓｉｘ-ｓｔｅｐ               ａｕｔｏｍａｔｉｃ               ｏｒ               ｍｅｃｈａｎｉｃａｌ               ｇｅａｒ               ｂｏｘ. Ｉｎ               ａｄｄｉｔｉｏｎ,               ＩＳ               350               ｗｉｌｌ               ｈａｖｅ               ｔｈｅ               ｎｅｗ               ｓｙｓｔｅｍ               ｏｆ               ｃｏｕｒｓｅ               ｓｔａｂｉｌｉｔｙ               ｃａｌｌｅｄ               Ｖｅｈｉｃｌｅ               Ｄｙｎａｍｉｃ               Ｉｎｔｅｇｒａｔｅｄ               Ｍａｎａｇｅｍｅｎｔ,               ｗｈｉｃｈ               ｆｉｒｓｔ               ｗｉｌｌ               ａｐｐｅａｒ               ｏｎ               ｌｕｘｕｒｉｏｕｓ               ｓｅｄａｎ               Ｌｅｘｕｓ               ＧＳ. Ｔｈｅ               ｅｎｇｉｎｅ               ｗｉｔｈ               ｔｈｅ               ｅｌｅｃｔｒｏｎｉｃ               ｓｙｓｔｅｍ               ｏｆ               ｉｎｊｅｃｔｉｏｎ               ｏｆ               ｐｅｔｒｏｌ,               6-ｃｙｌｉｎｄｅｒｓ,               24-ｖａｌｖｕｌａｒ               ｈａｓ               ｔｗｏ               ｍｏｄｉｆｉｃａｔｉｏｎｓ:               1)               2               ｌ. ｂｙ               ｐｏｗｅｒ               ｏｆ               155               ｒｐｍ               2)               3               ｌ               ｂｙ               ｐｏｗｅｒ               ｏｆ               215               ｒｐｍ.                Ｂｒａｋｅｓ                ＬＥＸＵＳ               ＩＳ               300               ｉｓ               ｅｑｕｉｐｐｅｄ               ｗｉｔｈ               ｄｉｓｋ               ｂｒａｋｅｓ               ｆｏｒ               ａｌｌ               ｗｈｅｅｌｓ               ａｎｄ               ｔｈｅ               ｆｒｏｎｔ               ｏｎｅｓ               ａｒｅ               ｖｅｎｔｉｌａｔｅｄ. Ｔｈｅ               ｈｅｌｍ               ｉｓ               ｓｔｒｅｎｇｔｈｅｎｅｄ.                Ｏｔｈｅｒ               ｆｅａｔｕｒｅｓ:                Ｔｈｅ               ｓｔａｎｄａｒｄ               ｂａｓｋｅｔ               ｏｆ               Ｌｅｘｕｓ               ＩＳ               ｏｆ               ｓｅｄａｎ               ｔｙｐｅ               ｈａｓ               4               ｄｏｏｒｓ               ａｎｄ               5               ｓｅａｔｓ. Ｔｈｅ               ｃｏｍｐｌｅｔｅ               ｍａｓｓ               ｏｆ               ｔｈｅ               ｃａｒ               ｉｓ               ｅｑｕａｌ               ｔｏ               1820               ｋｇ. Ｌｅｘｕｓ               ＩＳ               ｈａｓ               ａ               ｂｅａｒｉｎｇ               ｂａｓｋｅｔ,               ａｔ               ｔｈｅ               ｆｒｏｎｔ               ｏｆ               ｕｎｄｅｒｃａｒｒｉａｇｅ               ｔｈｅｒｅ               ａｒｅ               ｄｏｕｂｌｅｄ               ｔｈｒｅｅ-ｃｏｒｎｅｒｅｄ               ｔｒａｎｓｖｅｒｓａｌ               ｌｅｖｅｒｓ               ａｎｄ               ｂａｃｋ               ｂｒｉｄｇｅ               ｗｉｔｈ               ａ               ｍｕｌｔｉ-ｌｅｖｅｒ               ｓｕｓｐｅｎｓｉｏｎ               ｂｒａｃｋｅｔ               ｗｉｔｈ               ｌｏｎｇｉｔｕｄｉｎａｌ               ｔｒａｎｓｖｅｒｓａｌ               ｌｅｖｅｒｓ. Ｔｈｅ               ｃａｐａｃｉｔｙ               ｏｆ               ｆｕｅｌ               ｔａｎｋ               ｉｓ               ｅｑｕａｌ               ｔｏ               70               ｌ.                Ｗｈａｔ               ｔｈｅ               ｃｒｉｔｉｃｓ               ｓａｙ                Ｉｔ               ｗｉｌｌ               ｂｅ               ａ               ｐｌｅａｓｕｒｅ               ｆｏｒ               ｙｏｕ               ｔｏ               ｄｒｉｖｅ               ｔｈｉｓ               ｓｐｏｒｔ-ｃｒｏｓｓ               ｃａｒ;               ｙｏｕ               ｗｉｌｌ               ｆｅｅｌ               ｔｈｅ               ｄｉｓｔｉｎｃｔ               ｒｅａｃｔｉｏｎ               ｏｎ               ａｎｙ               ａｃｔｉｏｎ,               ｍｉｎｉｍｕｍ               ｏｆ               ｈｅｅｌｓ               ａｎｄ               ｔｈｅ               ｈｅｌｍ               ｉｎ               ｔｕｒｎｓ. Ａｎｄ               ｊｕｓｔ               ｌｏｏｋｉｎｇ               ａｔ               ｔｈｉｓ               ｍａｓｔｅｒｐｉｅｃｅ               ｙｏｕ               ｈａｖｅ               ａ               ｄｅｓｉｒｅ               ｔｏ               ｊｅｒｋ               ｏｎ               ｎａｒｒｏｗ               ｗｉｎｄｉｎｇ               ｐａｔｈｓ               ｏｒ               ｍｏｕｎｔａｉｎ               ｓｅｒｐｅｎｔｉｎｅ               ａｎｄ               ｆｅｅｌ               ｃｏｍｐｌｅｔｅ               ｃｏｎｆｌｕｅｎｃｅ               ｗｉｔｈ               ｔｈｅ               ｃａｒ. Ｈｏｗｅｖｅｒ               ｉｔ               ｍｅａｎｓ               ｔｈａｔ               ｙｏｕ               ｈａｖｅ               ｔｏ               ｐａｙ               $48,500               ｆｏｒ               ｔｈｉｓ               ｌｕｘｕｒｙ               ｂｕｔ               ｉｔ               ｉｓ               ｗｏｒｔｈ               ｏｆ               ｉｔ.

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